C♯ melodic minor scale

The ascending form follows the pattern: C♯ to D♯ (whole), D♯ to E (half), E to F♯ (whole), F♯ to G♯ (whole), G♯ to A♯ (whole), A♯ to B♯ (whole), and B♯ to C♯ (half). The descending form follows the natural minor scale: C♯ to B (whole), B to A (whole), A to G♯ (half), G♯ to F♯ (whole), F♯ to E (whole), E to D♯ (half), and D♯ to C♯ (whole). This duality creates a sophisticated melodic character that is both mysterious and refined.

C♯ melodic minor is particularly effective in contemporary classical and jazz contexts, where its complex tonality can create rich harmonic textures. In jazz contexts, the ascending form is often used in both directions, known as the "jazz minor" scale. The scale's raised sixth and seventh degrees in the ascending form provide a smooth melodic line while maintaining the minor quality through the flatted third. This makes it especially useful for creating advanced harmonic progressions and sophisticated melodic phrases. The scale is frequently used in modern classical compositions and film scoring, where its ethereal quality can create atmospheric and evocative soundscapes.